Numbers 8

Numbers 7

Numbers 6

Numbers 5

Numbers 4

Numbers 3

Numbers 2

Numbers 1

Towers of power

"Toren" (as opposed to tor), however, DOES refer to a tower in Dutch as a singular noun:

This "pigeon tower" (duiventoren) in Dijkspark Amsterdam is made of oyster mushroom mycelium left over from commercial production and is part of an experimental environmental project spearheaded by artist and architect Arne Hendriks. In the background you can see the facade of the Sluisdeurenloods, a reconstructed wooden building that was originally used for the production of lock gates in the late 1880s. It was moved to its present location in 1957 and is currently administered by the multi / cross-disciplinary arts organization Mediamatic.

Finally, as long as I'm on the subject of ligneous landscape features, "bos" (the Dutch word for forest) bears obvious similarity to "bosque" in both Spanish and English!

The New York Review of Butch

"...rather distressingly like a 1970s childrens' entertainer..."

Alas, I cannot find the original quote online. Nor can I tell you which edition it comes from, only that it was published recently, and that it was one reviewer's (presumably) sober assessment of hairstyles among today's youth, in addition to being the only detail I still actually remember about the review. 

It's not difficult to understand what generated a statement like this by a critic writing in the New York Times Review of Books this year, but what is somewhat difficult to understand is how it could come to exist without any concurrent discussion of the likely causes of this condition, distressing though that topic may also turn out to be for the same reviewer. It doesn't necessarily take a genius to observe that lower-maintenance hairstyles tend to gain favor during economic downcycles and periods of uncertainty. Of course, the picture is more complicated than that and one must figure in various macro-trends and the sensibilities of culture. But to simply 'write off' a generation's "do" as, or even because, they're getting the short end of the stick under the new yoke of authoritarianism and ecological meltdown smacks of an order of flippancy, ignorance - even outright cruelty - that seems out of place in a such a stolid, venerable and trusted publication.

And lest you think that some degree of personal offense may have motivated this sudden break with silence, I would challenge you thusly: have you seen my Instagram profile lately??   

All in all (I'm here to tell ya, buddy, whoever you are) you're just another brick in the wall.

Notes from midair

Is it possible to do or be anything "by accident" anymore? As someone with an ever accumulating list of birthdays (44 this past month!), it is becoming possible to perceive the assumption on the part of many people nowadays that everything they see around them is almost entirely deliberate or purposeful, as on a movie set. The voice, the hair, the clothes... all precisely manicured and curated for just that carefully considered effect, whatever the context. The reality show has left the studio. How to explain to the young that things were not always like this? That sometimes, things used to just... happen? Can we truly believe in a world at least occasionally unburdened by an intense desire to manipulate or control the reactions of others through artifice?

Eventually you reach a point in life where you realize there is a limit to what can be reasonably planned in advance, and that the whole notion of unconstrained free choice on the part of rational actors - the holy writ undergirding much of late-stage capitalism and a lot else besides - is severely undercut on a daily, hourly, even minute-by-minute basis by the slow accumulation of habit, history and inertia. (Not to mention inattention or ignorance). The notion of dependent origination in Buddhism appears at last no mere dogma; that all dharmas rely on the emergence or existence of other dharmas ought to be regarded as empirical a result as any, if we are both honest with ourselves and paying sufficient attention. We continue to believe we are fashioning ourselves, sculpting the content and meaning of our lives through a series of choices, yet year upon year the array of options to choose among seems not to increase - as some once thought inevitable - but to become somehow smaller. The planet perhaps cannot ultimately entertain every one of our heartfelt wishes, unless our wishes be made so mundane as to fly in the face of desire itself.

Having made such hard-won realizations, now with a slightly stooped back, with mysterious and novel pains beginning to spread through fingers, feet and knees, with a glassy, far-off gaze from a few too many sleepless nights, hazy mornings and chemical sunsets, any successful program having at the core of its focus "the ablation of desire", as Leopardi called it, will without any doubt prove its worth many times over to its adherents.

And now, a word from our sponsors...

Moebius Brand underwear. Can't put 'em on. Can't take 'em off! 

Moebius, the only name you need to know in topological intimates.

Utopia, again

But is utopia viable or even tolerable for its alleged beneficiaries? Set aside the problem of who actually does the work to keep the whole system running, who makes decisions at which points and so on... If you think you've got everything you've ever wanted and everything you ever will want, then is it too radical to suggest that you may in fact be talking to a robot, or a machine of some persuasion? Could a genuine human being, with anyone's wants, cares, concerns, distractions - warts and all - be convinced of its own timeless perfection? Would we not want something more, something the present Utopia in all its glory cannot yet provide? Dreaming beyond the horizon, we may yet invent fresh needs for ourselves which render the current condition inadequate. Intolerable, even. Would we be persuaded by arguments about built-in correctives? It's easy to see what might be corrected in ourselves, perhaps, on something like a situational basis. Frequently enough it informs the substance of what we might call ethics. But what remains to be corrected that transcends the individual? This is the type of challenge Utopia attempts to address, and about which there is, unfortunately, scant empirical evidence.

Ce qu'a vu le vent d'ouest

A brief foray into Dutch phonology and grammar led me to the classic Aesop fable extolling the virtues of persuasion over force. Here's a delightful 1972 animated version produced by none other than the NFB. Straight from the horse's mouth, this one!

The North Wind and the Sun: A Fable by Aesop, Rhoda Leyer 

& Les Drew, provided by the National Film Board of Canada

(continued)

But no utopia really is one. That's the first thing to understand about utopias, of course. A utopia is really only something like a selective gaze; a prior agreement, perhaps, that things are or ought to be as rendered clearly in the mind or according to aspects of circumstance.

Real outcomes differ, and they differ both individually and collectively. Not everyone has a voice that can be heard above the clamor and din. Those that make it through might have had some help, maybe, or some luck. You must look around the edges, where things grow a bit wild and where freaks test out new models and configurations.

The bristled border regions, hedgerows and marshlands, as ever, carry the weight of the traffic, winding through turnarounds carrying in supplies from the outlands and fields, and the people who live in the service of others all but in name.

So where

...but, the universal IS the particular!

It's the particular that bugs people, isn't it?

"Are you on Spotify (tm)?"

If I had one dollar (better a euro) for every occasion on which I was asked this question, I could simply stop releasing records now. I wouldn't have to work doing anything ever again. Either for something, or for nothing. 

Yes, you can stream my music for free before you buy it.

No, I am not on Spotify. 

I understand it's a very popular platform, but okay. Just nod and smile?? I really don't happen to like it. It's music for lazy people that don't really give a shit about what they're listening to. That's the general impression I get with Spotify, anyway. Maybe it has to do with their business model. Pennies on the dime is a hard sell for someone in my shoes, to be sure.

On the other hand, perhaps I've said too much already. Why don't you just enjoy the music and have a lovely afternoon! It's summer, it's festival season, it's time start gettin' down. Let's take it to the stage, right!?! 

See you in hell.

0 Through 9

Dutch streets have numbers and facades the way plants have seed pods and leaves; they grow out, extend and terminate according to a quasi-mathematical framework that nevertheless admits the full reality of bricks, soil, stone, sun and wind. A Utopia for the anti-Platonist; rationalism weathered by the shift and hustle of the restless sea.

Away from the throngs of passersby, the real Netherlands blooms : a Jasper Johns feast of the imagination where rounded portholes, wild plants, stylized digits, grit and neon extravagence blur together, floating, like ghostly lilypads dangling octopus-like tendrils in the gardens of the mind.

Running up that hill

"Tor" is an interesting word. Apart from its digital designation as an anonymous computer network, it refers to a gateway, goal or door in German, which explains its use as a component of many place names. After having spent more than a week in the Netherlands, I've dicovered that the same word means "beetle" or "scarab" in Dutch. Not the close cognate one might expect, save perhaps in some metaphorical or mythological sense.

Certain languages like Turkish retain the classical derivation of a hill or tower (presumably through the Latin turris), but with various other usages and meanings having long since taken firmer prominence. The Old English and / or Celtic root tor designating a rocky outcrop at the peak of a hill is seemingly only loosely retained elsewhere, being almost certainly unrelated to the infinitives torquere or torrere, verbs that mean "to twist"; only torso carries with it an echo of rugged, windswept highlands desiccated by the ravages of time.

Sunflower being 向日葵存在

"The ground will move out from under you..." 

It certainly seems to have of late, Mr. Smith! In a way that is both unaccountable and likely to continue for the foreseeable future. Clearly the universe is a much stranger place than I could possibly have imagined, and much richer. Surely there are further wonders to be beheld elsewise and sideways on Sundays, down spiral stairs, rainbow-webbed parallelograms and squares squinting in the sun's sultry afternoon glare!

Some trick of the light, perhaps.